How Does AI Find Similar Music? Understanding the Criteria Behind the Match

2025.05.16ㆍ by Hailey Moon

 

In our previous post, we explored the story behind the creation of Gaudio Music Replacement. This time, we’ll dive into how AI determines whether two pieces of music are "similar"—not just in theory, but in practice.

 

When broadcasters or content creators export their content internationally, they must navigate complex music licensing issues, which vary by country. To avoid these legal hurdles, replacing the original soundtrack with copyright-cleared alternatives has become a common workaround.

Traditionally, this replacement process was manual—listening to tracks and selecting substitutes by ear. However, because human judgment is subjective, results vary widely depending on the individual’s taste and musical experience. Consistency has always been a challenge.

 

To address this, Gaudio Lab developed Music Replacement, an AI-powered solution that finds replacement music based on clear and consistent criteria.

 

 

Let’s explore how it works.

 

 

 

Finding Music That Feels the Same

 

How Humans Search for Similar Music

When we try to find music that sounds similar to another, we subconsciously evaluate multiple elements: mood, instrumentation, rhythm, tempo, and more. But these judgments can differ from one day to the next, and vary depending on our familiarity with a genre.

 

Moreover, what we consider "similar" depends heavily on what we focus on. One person may prioritize melody, while another emphasizes instrumentation. This subjectivity makes it difficult to search systematically.

 

 

Can AI Understand Music Like We Do?

Surprisingly, yes—AI models are designed to mimic how humans perceive music similarity.

Multiple academic studies have explored this topic. In this post, we focus on one of the foundational models behind Gaudio Music Replacement: the Music Tagging Transformer (MTT), developed by a Gaudin, Keunwoo.

 

The core concept behind MTT is music embedding. This refers to converting the characteristics of a song into a numerical vector—essentially, a piece of data that represents the song’s identity. If we describe a track as “bright and upbeat,” an AI can interpret those traits as vector values based on rhythm, tone, instrumentation, and more.

 

These vectors act like musical DNAs, allowing the system to compare a new song against millions of candidates in the database and return the most similar options—quickly and consistently.

 

MTT plays a key role in generating these embeddings, automatically tagging a song's genre, mood, and instrumentation, and transforming them into vector representations the AI can process.

 

Can AI Understand Music Like We Do?

 

 

 

Replacing Songs with AI: Matching Similar Tracks

 

Music Embedding vs. Audio Fingerprint

There are two main technologies AI uses to analyze music: music embedding and audio fingerprint. While both convert audio into numerical form, their goals differ.

 

  • Audio fingerprint is designed to uniquely identify a specific track—even in cases where it has been slightly altered. It’s great for detecting duplicates or copyright infringements.

  • Music embedding, on the other hand, captures a song’s style and feel, making it ideal for identifying similar—but not identical—tracks.

 

When it comes to music replacement, embedding is far more useful than fingerprint. AI needs to recommend tracks that evoke a similar emotional or sonic atmosphere, not just technical matches.

 

 

How AI Searches for Similar Tracks

Music Replacement uses music embeddings to search and replace music in a highly structured way.

 

First, it builds a database of copyright-cleared music. Each song is divided into segments of appropriate length. The AI then pre-processes each segment to generate and store its embedding vector.

 

When a user uploads a song they want to replace, the AI calculates that song’s embedding and compares it to all stored vectors in the database. It uses a mathematical metric called Euclidean distance to measure similarity. The smaller the distance, the more similar the tracks.

 

But it doesn’t stop there. The AI also takes into account genre, tempo, instrumentation, and other musical properties. Users can even prioritize specific elements—like asking the AI to find replacements that match tempo above all else.

 

Gaudio Music Replacement also supports advanced filtering, allowing users to fine-tune their search results to fit exact needs.

 

 

The Devil Is in the Details: From Model to Product

 

While music embeddings provide a strong technical foundation, deploying this system in real-world environments revealed a new set of challenges. Let's explore a few of them.

 

 

Segment Selection

Choosing which part of a song to analyze can impact results just as much as choosing which song to use.

 

If we divide every track into uniform chunks-say, 30 seconds each-we might cut across bar lines, break musical phrases, or miss important transitions, resulting in poor matches.

 

Music is typically structured into intros, verses, choruses, and bridges. These sections often carry distinct emotional tones. By analyzing the song’s internal structure and aligning segments accordingly, we improve both matching accuracy and musical coherence.

 

 

Volume Dynamics: The Envelope Problem

In video content, background music often changes dynamically depending on what’s happening in the scene. For example, during dialogue, the music volume might fade low, and then rise during an action sequence.

 

These dynamic shifts are represented by the envelope—a term for how a sound’s volume or intensity changes over time. If AI ignores the envelope when replacing music, the result can feel awkward or unnatural.

 

Ideally, the AI finds a replacement track with a similar envelope. If that’s not possible, it can learn the original envelope and apply it to the new track—preserving the intended emotional flow.

 

 

Mixing & Mastering

Finding the right song is only half the battle. For a replacement to feel seamless, the new track must blend naturally with existing dialogue and sound effects.

 

While AI can find musically similar tracks, determining whether the new audio actually fits the original mood, tone, and mix often requires human expertise. In fact, professionals say they spend as much time mixing and mastering as they do selecting the right music.

 

With years of experience in cinema and broadcast sound design, WAVELAB contributed its expertise to develop a professional-grade AI mixing and mastering engine

To address this, Gaudio Lab turned to WAVELAB, its own subsidiary and one of Korea’s leading film sound studios. With years of experience in cinema and broadcast sound design, WAVELAB contributed its expertise to develop a professional-grade AI mixing and mastering engine. This engine goes beyond simple volume adjustment, capturing the director’s intent and applying it to the new track with nuance and precision.

 

 

Coming Up Next: Where Does the Music Begin—and End?

 

 
가우디오랩의 AI 기반 Content Localization 툴들의 전체(End-to-End) 시스템 다이어그램입
 

The image above shows Gaudio’s Content Localization end-to-end system diagram, including Gaudio Music Replacement. In this post, we focused on Music Recommender, which takes a defined music segment and swaps it with a similar one.

 

 

But in real-world content, the first challenge isn’t always about which song to replace—it’s figuring out where the music even is.

 

In many videos, music, dialogue, and sound effects are mixed into a single audio track. Before we can replace anything, we need to separate those elements.

 

But here’s a question: in a movie scene, is a cellphone ringtone considered music—or a sound effect? And what if multiple songs are joined together with fade-ins and fade-outs? The AI must then detect where one track ends and another begins, by accurately identifying timecodes.

 

 

In the next article, we’ll explore two powerful technologies Gaudio Lab developed to solve these problems:

  • DME Separator: separates dialogue, music, and effects from a master audio track

  • TC(Time Code) Detector: identifies precise start and end points for music segments

 

 

Stay tuned—we’ll dive deeper into how AI learns to define the boundaries of music itself.

 

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AI Music Replacement: Solve Music Copyright Issues & Go Global with Gaudio Lab

Case 1. The Netflix documentary <Dear Jinri>, which delves into the untold story of the celebrity Sulli, encountered a critical issue during its production. The film aimed to incorporate a self-recorded video of Sulli, left on her phone, as a key element in the end credits. However, the video, much like a personal diary, also captured the background music La Vie en Rose by Edith Piaf. Due to unresolved copyright issues for the song, the filmmakers were unable to use this deeply emotional scene.   Case 2. A popular South Korean variety show was exported to Taiwan, where it became a major success. However, complications arose when the music used in the show couldn't be cleared for copyright in Taiwan, forcing the production company to pay substantial royalties. This unexpected cost ended up surpassing the revenue earned from the show's export, creating a net financial loss.   Case 3. A well-known vlogger encountered problems while trying to upload a video of their live experience at a soccer match. The stadium’s background music included copyrighted songs, which triggered YouTube’s Content ID system for copyright infringement. As a result, the video could not be uploaded as planned.   These cases highlight real-life inquiries received by Gaudio Lab, a company dedicated to solving diverse audio challenges.    Whether for individual creators like YouTubers or professional broadcasters, producing video content often requires dealing with unexpected situations where music must be removed or replaced. And these examples are just the beginning.   Let’s explore how Gaudio Lab resolved these music copyright challenges.     (Photo = Still from Dear Jinri)       Why Replace Music?   The most common reason is to address music copyright issues.   Broadcast networks typically pay copyright fees for music used during the initial airing of a program. To elaborate, most networks pay a fixed fee to music copyright management organizations, which grants them unlimited rights to use songs managed by the organization—but only for broadcasts on their own channels.   However, when the same content is distributed to platforms like Netflix or FAST (Free Ad-Supported Streaming TV) channels, additional music licensing must be secured in each country where the content is streamed. This can incur substantial costs. Even if the content is already complete and ready to sell, licensing fees can easily exceed the revenue potential.   To navigate such copyright hurdles, creators have historically relied on the following options: (1) Abandon exporting the content. (2) Remove the affected portions entirely (impossible for variety shows with music throughout). (3) Replace the music with copyright-free alternatives (a process called "video re-editing").     For option (3), the process has been entirely manual: editors use basic audio tools to isolate the music, search for similar alternatives in limited databases, and seamlessly reinsert the replacements into the original video. This painstakingly labor-intensive process often takes two to three weeks to edit a single 60-minute video.   Individual creators like YouTubers face similar obstacles. When dealing with videos containing copyrighted music, they often (1) abandon uploading the video, (2) edit out the affected portions entirely, (3) (recently) use music separation technology to remove the music while retaining other audio elements.   Music copyright is so crucial for platforms like YouTube that their Content ID management system detects copyrighted music in all uploads and suggests these same three options.       Gaudio Lab's Music Replacement: A Revolutionary AI Solution for Copyright Issues Gaudio Lab’s latest AI-powered video audio editing solution, Gaudio Music Replacement, revolutionizes how these challenges are addressed.      How does it differ from traditional manual methods?     First, users upload their video to Music Replacement, where the AI separates the audio tracks into dialogue, music, and effects (commonly referred to as DME). Gaudio Lab’s audio separation technology, GSEP, is renowned for its exceptional quality. It has been widely recognized as the best-in-class audio separation technology. At CES 2024, Gaudio Lab even won a CES Innovation Award for its product, Just Voice, which enables real-time voice isolation.   Next, the separated music track is analyzed by AI, which identifies individual pieces of music and divides them into segments. The system then uses a music recommendation engine to search its extensive music database for similar tracks. This database contains tens of thousands of songs across various genres, all cleared for global use. Unlike low-quality AI-generated music, these tracks are created and uploaded by professional artists worldwide, ensuring top-notch quality.   Finally, the AI seamlessly re-mixes the replaced music track with the original dialogue and effects tracks to produce the final edited video.       With Music Replacement, creators no longer need to (1) abandon their content, (2) cut out affected portions (3) or spend weeks and substantial resources on manual re-editing. Instead, they simply upload their video to Music Replacement, wait briefly, and… Boom! They receive a video where the original musical intent is preserved, but all copyright issues are resolved. (Blind tests conducted with professionals found that many couldn’t distinguish the edited version from the original!)   The clients mentioned earlier have already adopted Music Replacement as a core solution. Exporting content internationally involves more than resolving music copyright issues—it often requires broader content localization efforts. Clients naturally request additional services like dubbing, subtitles, cue sheet generation, and video editing.   “I want to handle everything within Gaudio!”   As demand grows, Gaudio Lab’s research and product teams get busy adding new features, enhancing both convenience and performance. The name Music Replacement no longer fully captures the product’s capabilities, leading the product owner to contemplate a new name. 😅   Most of Music Replacement’s features are powered by AI. In our next post, we’ll dive deeper into the technical details of each process and showcase the convenient tools in the Gaudio Music Replacement Editor. Stay tuned!  

2025.01.24
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Gaudio Lab SDK Team, Bridging Audio AI and Products

        🎧This interview shares a behind-the-scenes look at Gaudio Lab’s GDK (Gaudio SDK) Development Team—their working style, technical challenges, team culture, and journey of growth. The GDK Development team tackles the challenge of addressing diverse client needs with a single SDK, while actively experimenting with AI Agents to enhance development efficiency. In an environment where autonomy meets accountability and where learning is continuous, the team is constantly evolving.   If you’re curious about life on the GDK Development Team or thinking of joining Gaudio Lab, don’t miss this story! 😉       🧩 What does the SDK Develpment Team do?   Before we dive into the details, let’s briefly go over what an SDK is:)   SDK stands for Software Development Kit. It’s essentially a set of software tools that helps developers implement specific features more easily. For example, if you want to add a certain function to an app—like login, payment, or audio processing—you don’t have to build everything from scratch. Instead, you can use the tools provided in the SDK to build it faster and more efficiently.       Bridging audio AI technology with real products   Q: Please introduce yourself and your role on the GDK Development Team.   Leo: We’re the SDK developers in the GDK squad. Simply put, we’re the key link that ensures our audio AI technology works seamlessly in real products. We define use cases, consider which technologies are suitable for which products, and identify the hardware (chipsets) and environments they’ll run on.   We then integrate the SDK into those environments, conduct continuous testing, and respond quickly when issues arise. Our ultimate goal is to deliver a stable, flexible SDK that clients can use independently. In this process, I primarily focus on porting the SDK to real-world device environments. This involves identifying how and where to integrate the SDK for each system, and ensuring that it runs reliably within the constraints of each platform.       William: While Leo mainly handles hardware porting, I primarily work on the mobile side and also take on DevOps responsibilities. I develop internal tools for build and deployment, and manage frameworks that support the entire development pipeline. I also serve as the first point of contact for Gaudio SDK products that are in the stabilization and maintenance phase, receiving issues from client companies, identifying the problems, and working to resolve them.   Our team isn’t rigidly divided by roles. While we each have our primary responsibilities, we help each other flexibly depending on the situation.     Q: Gaudio Lab has a number of products. Which products have been developed with your team’s involvement?   William: Just to name a few, LM1 (loudness normalization tech), GSA (a spatial audio solution), and Just Voice (an AI noise reduction solution) all involved the GDK team. Other products include ELEQ (Loudness EQ), Smart EQ, Binaural Speaker (3D audio renderer), and GFX (sound effects library). We’ve had a hand in all of them.       How we joined this dynamic team   Q: It sounds like a great environment to gain diverse experience. What led you to join the GDK Development Team in Gaudio Lab?   William: Honestly, when I first joined, I didn’t have much knowledge—or even interest—in audio (laughs). I started as an intern, and my first task was fixing a bug in a WAV parser. That led me to explore the metadata structure of WAV files, and I was fascinated to learn how analog signals are represented digitally. It felt like the same excitement I had when I first discovered computer science. That curiosity kept growing, and now I’ve been here for five years.   Leo: I was already familiar with Gaudio Lab through people I knew, so I naturally had an interest. In my previous company, I wanted to try backend development, but ended up mainly working on device-side tasks. I wanted to find work that was both engaging and something I could excel at.   The idea of SDKs—tools built by developers for developers—really intrigued me. Plus, the opportunity to develop across various device platforms was a big draw. Those two reasons alone made me want to take on the challenge, which led me to join Gaudio Lab.           Growing through diverse projects   Q: In what ways have you developed professionally since joining Gaudio Lab?   William: Working on the GDK Development Team has exposed me to a wide range of tasks and technologies. Over the past five years, I’ve worked on nearly 10 projects, across various programming languages and environments. I think of it as a journey from sand to stone—you don’t become solid with a single splash of water. Repeated exposure to projects helps you harden and grow. It’s been tough, but I’ve gained a lot from it.   Some might ask, “Can you go deep if you’re doing so many different things?” But in our team, staying shallow isn’t an option. Platform integration requires deep enough understanding to communicate effectively with clients. Working across so many different environments has helped me develop not just technical skills, but also a broader perspective and deeper insights—things that are often hard to gain in the early stages of a career.   Leo: Compared to previous companies I’ve worked for, Gaudio Lab is much freer and more flexible. The autonomous working style and active communication among team members gave me the impression that the company is “alive.” I’ve had many chances to apply my experience freely and, even as a senior hire, I’ve found plenty of opportunities to keep learning and challenging myself. Thanks to a culture that embraces experimentation, I’ve been exposed to a variety of technologies and environments—and recently, I’ve started exploring AI-related work as well.       Curious about the GDK Development Team’s work with AI? STAY TUNED for Part 2 of our interview!         Explore Life at Gaudio Lab          

2025.06.20